Upon the burning up of Our House

Upon the Burning of Our House

simply by Anne Bradstreet

LITERARY FOCUS: THE SIMPLE STYLE

The Puritans preferred " plainness” in all points: in outfit, in the architecture and style of their chapels, in their types of worship, in addition to language. As opposed to the ornate " excessive style” well-known in England at that time, the Puritan plain design used simple sentences and common words from everyday speech. The plain style contained few or no classical allusions, Latin quotations, or elaborate figures of speech. The ordinary style, Puritans felt, was much more powerful in exposing God's real truth than the lavish style. Even though the style utilized by Puritan writers now seems hard to learn, it was considered simple and direct in the 1600s. Although Anne Bradstreet's " Upon the Burning of Our House” contains some figurative vocabulary, it is a very good example of the plain style. REVIEW ABILITIES

As you read " Upon the burning up of Our House, ” notice the approach the following literary devices are being used. RHYME The repetition of vowel sounds in accented syllables and syllables pursuing. METER A pattern of stressed and unstressed syllables.

Make This Plain Inside the left column of the chart below are two descriptions of everyday objects drafted in an ornate style. Edit each information in simple style_as a Puritan might have.

Copyright © by Holt, Rinehart and Winston. Most rights reserved.

Ornate Design Shabby yet beloved, my own shoes home my ft as they take me from place to place. The pen leaks ink-blood since it brings words to life.

Basic Style

READING SKILLS: ANALYZING TEXT STRUCTURES

" Upon the Burning of The House” is filled with inversions. In an inversion, sentences are not crafted in typical word purchase. For example , Bradstreet writes " I wakened was with thund'ring noise” instead of " I was wakened with thund'ring noise. ” Inversion can often be used to make a poem's rhyme scheme work out in order to maintain a set meter. Fictional Skills Understand the characteristics of plain design. Reading Expertise Understand the utilization of inversion. Review Skills Figure out rhyme and meter.

Make use of the Skill While reading Anne Bradstreet's poem, underline the places you find cambio.

Here Comply with Some Compared to upon the burning up of Our House, September 10, 1666

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Right here Follow Some Verses upon the Burning of Home, July 15, 1666 Anne Bradstreet

In silent night time when others I took

Circle the inversions you will find in lines 1-4.

For sorrow near Some look I wakened was with thund'ring noise And piteous screams of terrible voice. your five

That scared sound of " Flames! ” and " Open fire! ” Let no guy know is definitely my desire. I, establishing, the light would spy, Also to my God my cardiovascular did weep To strengthen myself in my relax

What is the speaker performing in lines 11-12?

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And not to leave me succorless. 1 Then, coming out, beheld a space The flame take in my home place. And when I could now looking, I blest His name that gave and took, a couple of Copyright © by Holt, Rinehart and Winston. Most rights reserved.

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That laid my own goods today in the dust. Yea, so it was, and so 'twas just. It absolutely was His individual, it was not really mine, Significantly be it i should repine; He might coming from all justly bereft

In lines 16-17, why does the speaker admit the fire was " only? ”

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But yet sufficient for us left. When by ruins ?fters I past My sorrowing eyes apart did players, And here and there the places secret agent Where oft I sitting and long did lie:

1 . succorless (suk√¥r · lis) adj.: without help or assistance; helpless. 2 . that gave and had taken: allusion to Job you: 21, " The Lord provided, and the Master hath taken away; blessed end up being the name of the God. ”

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Part you

Collection 1: Encounters and Foundations to 1800

twenty-five

Here was standing that trunk area, and right now there that breasts, There lay down that retail store I counted best. My own pleasant points in ashes lie, And them behold no more shall I. Below thy roof top no customer shall take a seat, What is the " residence on large erect” referred to in lines 43-46?

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Neither at thy table consume a bit. Simply no pleasant story shall e'er be...

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